Affordable Drawings
from the 16th through the 20th century
from the 16th through the 20th century
- Vasari, Seven Bishop Saints
- Passarotti, Male Nude Study
- Castello, A Decapitation
- Wildens, A Hilly Path
- Florentine School , Floral Ornament
- Procaccini, Head of a Soldier
- French School, Head of Hercules
- Vlieger , Fishermen
- Gargiulo , Elevation of Saints
- Roos, Cattle and Sheep
- Cabel, River Landscape
- d'Onofri , Trees in a Landscape
- German School, The Coronation of the Virgin
- Heemskerck, Peasants Drinking
- Piola, St. Raymond
- Moucheron , Classical Figures in a Grove of Trees
- Chaufourrier, Solfatara
- Lantara , Storm over a Village
- Volaire , Neapolitan Boatman
- Monogramist Vh , Woodland Grove
- Bolognese School, Seated Warrior
- Galliari , Stage Set: Courtyard of a Farm
- Duclaux , Plants Growing in a Field
- Cruikshank , Standing Male
- Altmann , Wine Taster
- Decamps, Trees at the Villa
- Nanteuil , Two Figures
- Bodmer, Partridges
- Harpignies , Trees
- Marsaud, Harlequin
- Dehodencq, Three Sketches
- Delauney, Fruit Tree with Birds
- Dansaert , Brawl in a Tavern
- Chapu, Studies for ’’Une Source’’
- Vannutelli, Two Women Seated in a Church
- Lepère, Studies of Ladies Shopping
- Béjot, Pont de l'Alma
- Henricus, Japonisme
- Vuillard, Mme. Vuillard, Sewing at Her Window
- Couturier, Carnival Scene at Night
- Brockhurst, Chinese Group
- Stankavich, On the Frontier
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12. Crescenzio d'Onofri (1632-after 1712) Trees in a Landscape, a Village in the Distance |
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(click on image to print)
Trees in a Landscape, a Village in the Distance
Pen and brown ink on laid paper, 362 x 238 mm.
A splendid and completely typical landscape study, similar to many at Windsor Castle and elsewhere and also to etchings by the artist. Nicholas Turner has kindly supplied the attribution. The paper shows the watermark of an anchor in a circle surmounted by a star, and there is an ink inscription verso "No. 28." D'Onofri was Gaspard Dughet's only pupil and faithfully absorbed the classical language and landscape style of his teacher and of Claude Lorraine. A well-established painter in Rome, he was called to Florence in 1689 by Grand Duke Ferdinand where he remained for the rest of his life, bringing to Tuscany the benefit of his Roman classical vocabulary and leaving a strong influence. Several drawings formerly given to Cantagallina and Grimaldi have more recently been recognized as works by d'Onofri.
