UNDERVALUED ARTI$T$ II
Fine Prints at Low Prices
Fine Prints at Low Prices
- Anonymous, En Auvergne
- Appian, Ville au Bord
- Beurdeley, Le Chemin aux Peupliers
- Blanche, Pomponne Zelinska
- Bodmer, Paon et Paonnes
- Bouquet, Tête d’Enfant
- Cain, Ezekiel’s Tomb
- Calame, Valley of the Aar
- Chahine, Portail
- Dufeu, Rue Souk-El-Selah, au Caire
- Fantin-Latour, Verité (petite planche)
- Français, Les Derniers
- Frélaut, Retour de Pêcheur
- Gandara, Etude de Femme
- Gautier, Le Marché aux Fleurs, Paris
- Grossman, Pianist with Harlequin
- Hardie, Picnic
- Haskell, Trees and Hills
- Heintzelman , Old Brass
- Horter, Ye Olde Curiosity Shop, Nantucket
- van Hoytema, Peacock amid East-Indian Foliage
- Hoyton, Wroxton Down
- Hubbard, Rag Yard
- Huet, Vieilles Maisons
- Huntley, Charleston, No. 1
- Khnopff, Une Tête de Face
- Lalanne, À Bordeaux (Vue Génerale)
- Legros, Le Hameau Près du Lac
- Liebermann, Der Weber
- Lipton, The Surprise
- MacLaughlan, The Towers (San Gimignano)
- Maurin, The Orchestra
- Osborne, Dordrecht
- Pechstein, Hafen auf Fehmarn
- Pennell, Law Courts, London
- Ribot, L’Aide de Cuisine
- Roth, Cliffside (New Jersey)
- Roybet, Les Joueurs de Tric-Trac
- Schrimpf, Mädchen mit Tauben
- Sintenis, Two Gazelles
- Staeger, Forest Scene
- Storm van s’Gravesande, Au Bord
- Strang, Tinkers
- Webster, Road Through a Village
- Winkler, Fruit Stall
Retour de Pêcheur
Etching and drypoint, 1920, Delteil 200 ii?/vi, 118 x 207 mm. Superb impression with burr and plate tone, on laid paper with small margins, signed in pencil and numbered from the edition of 30. The impression, though numbered as from the edition of the final state, is clearly an earlier state. Frélaut’s work is widely known and respected in France. In America, sadly, he is best known as a printer for Picasso. This beautiful little print is typical of his work and should redress the balance for anyone willing to really look at it.