RECENT ACQUISITIONS
- Dürer, The Death of the Virgin
- Dürer, The Virgin with the Swaddled
- Krug, Madonna and Child
- Beham, Christ Bearing the Cross
- Beham, Cimon and Pero
- Beham, Triumph of the Noble
- Lautensack, Landscape
- Goltzius, Pietà
- Muller, Cleopatra
- Muller, The Fight
- Callot, La Petite Place de Sienne
- Bosse, Le Pâtissier
- Rembrandt, Christ and the Woman
- Rembrandt, The Goldsmith
- Della Bella, The Five Deaths
- Della Bella, Death on the Battlefield
- Falck, Vanitas (Old Coquette)
- Cantarini, St. Anthony of Padua
- Vauquer, Ornament Plate
- Everdingen, Four Mineral Springs
- Canaletto, Imaginary View of Venice
- Hogarth, Two Receipts
- Le Bas, Repas Italien
- Frye, Life-Sized Heads
- Piranesi, Veduta del Porto
- Piranesi, Veduta del Ponte
- Tiepolo, The Four Evangelists
- Dambrun, La Partie de Wisch
- Lafitte, An Amorous Couple
- Gericault, Horses Going to a Fair
- Cruikshank, “Charing Cross?”
- Decamps, Les Mendiants
- Callow, Bologna
- Malardot, La Pêche
- Malardot, Two Peasants
- Bracquemond, Le Haut
- Whistler, Annie, Seated
- Whistler, Thames Police
- Whistler, Thames Warehouses
- Carrière, Self Portrait
- Devambez, Quai de Métro
- Haskell, Caricature of Whistler
- Barlach, Die Wandlungen Gottes
- Laboureur, January in the Omnibus
- Laboureur, La Halte des Bohèmiens
- Bellows, The Black Hand
- Blampied, Nursing the Baby
The Goldsmith
Etching and drypoint, 1655, 77 x 57 mm., Bartsch 123 ii/ii, Hind 285 ii/ii, Nowell-Usticke 123 ii/iii, ex collection: possibly C. G. Tessin (Lugt 2985). Fine, harmonious but posthumous impression, with the fine, vertical shading along the lowest beam at the right, and probably from a Basan edition, on fairly thin laid paper with good margins. Impressions of the first state can be quite dark, but this later state retains all the fine lines and a good range of contrasting tones. Once again, after such printing as this, the plate wore and weakened and was coarsely retouched and re-bitten to poor effect.