Masterworks of Printmaking and Drawing
- Dürer, Saint Christopher
- Claesz, Vignette with a Sphinx
- Tempesta, Turkish Soldiers
- Goltzius, Apollo
- Ribera, The Poet
- Callot, Les Danseurs
- Rembrandt, Nude Man Seated
- Ostade, The Hunchbacked Fiddler
- Everdingen, The Dilapidated Cottage
- Piranesi, The Well
- Goya, Esto Si Que Es Leer
- Descourtis, L'Amant Surpris
- Daumier, Aspect de le la Salle
- Meryon, Le Petit Pont
- Lessore, Barge Builders
- Lalanne, Rade de Bordeaux
- Andrieux, Don Quixote Telling
- Whistler, Wheelwright
- Buhot, Dèbarquement en Angleterre
- Toulouse-Lautrec, Repetition Generale
- Cross, Champs-Elyseè
- Zorn, The New Maid
- Munch, Alte Männer und Knaben
- Delâtre, Standing Peasant
- Vallotton, La Nuit
- Kollwitz, Tod Hält Mädchen
- Matisse, La Persane
- Sloan, Romany Marye's
- Villon, La Petite Mulatresse
- Walkowitz, Two Figures Seated
- Campigli, Woman with a Veil
- Eby, The Storm
20. Henri de Toulouse-Lautrec (1864-1901) Répétition Générale aux Folies-Bergère: Emilienne d'Alençon et Mariquita |
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Répétition Générale aux Folies-Bergère: Emilienne d'Alençon et Mariquita
Lithograph, 1893, 369 x 260 mm., Delteil 44; Adhèmar 47; Wittrock 34 i/ii. Fine impression on wove paper with small but full margins, signed with the red monogram stamp and numbered in pencil from the first edition of one hundred impressions, as published by L'Escarmouche. Not all the impressions of the edition carry the red stamp. There was a second state and second edition printed with a tint stone. The lithographic technique includes crayon, brush and spatter work.