Sixteenth Century Northern Engraving & Etching
- Master MZ: Aristotle and Phyllis
- Dürer: Virgin & Child
- Dürer: Virgin & Child Crowned
- Dürer: Frederick the Wise
- Dürer: Saint Philip
- van Leyden: Triumph of David
- Zundt: Arrest of Baumgartner
- Hopfer: Charles V
- Beham: The Expulsion
- Beham: Mask Held by 2 Genii
- Beham: Mask Held by 2 Genii
- Brosamer: The Lute Player
- Pencz: Artemisia Preparing to Drink
- Pencz: Johann Friedrich
- Monogrammist CP : Dido
- Aldegrever: Dagger Sheath Design
- Aldegrever: Ornament with a Bat
- Hirschvogel: David's Triumph
- Hirschvogel: The Defeat and Death
- Claesz: Allegory with a Woman
- Massys: Two Crippled Musicians
- Cock: Colossaei
- Cock: Landscape with a Castle
- Ladenspelder: The Four Evangelists
- Brun: Two Turkish Men
- Suavius: Saint Paul Seated
- Delaune: Combat of the Centaurs
- Davent: Alexander Mastering Bucephalus
- Davent: Un Marais
- Thibaud: Hagar Gives Ishmael a Jug
- Woeiriot: Battaile de Constantin
- Galle: Solomon Building
- Sadeler: St. Paul at Corinth
- Wierex: Henry III
- Goltzius: Arnoud van Beresteyn
- Goltzius: Mercury and Argus
- Goltzius: A Young Man
- Collaert : January
- Collaert : Musical Celebration
- Collaert: David Playing the Harp
- van de Passe: Christian IV
- Muller: Belshazzar's Feast
20. Allaert Claesz (1508-1555) after Marcantonio Raimondi Allegory with a Woman in Roman Dress on a Triumphal Chariot |
(click on image to print)
Allegory with a Woman in Roman Dress on a Triumphal Chariot
Engraving, 97 x 79 mm., Bartsch 33, Hollstein 144.
A fine impression, clear and precise, on laid paper, trimmed on the borderline, which is visible along three sides but not at the bottom; the image, though, is complete. There is a tiny restoration in the background shading at the far left center. The print is copied in reverse from the upper right corner of Marcantonio's “Quos-Ego” with considerable elaboration. What was once a simple Roman triumph has now had added to it a Christian Trinity in the clouds, angels with trumpets, and an aureole and crown on the head of the principal female figure. The Claesz print is exceedingly rare, Hollstein citing only the
Lanna impression. The precise nature of the original allegory has not been determined but has here been so elaborated as to be a totally different thing.