Ducking Impressionism
Prints And Drawings Of Félix Bracquemond (1833-1914)
Including Some Early Rarities
Prints And Drawings Of Félix Bracquemond (1833-1914)
Including Some Early Rarities
- Fables de La Fontaine
- Croquis de Jacques Guichard
- Perdrix
- Le Retour au Logis
- Rue Vivienne la Nuit
- L'Âne
- Les Trétaux
- Virginie de Leyva
- L' Inconnu
- Vanneaux et Sarcelles
- Philomela
- La Mort de Matamore
- Monument Funèbre
- Le Bateau du Teinturier
- Les Saules des Mottiaux
- Le Service du Vin
- Iles du Rhin
- L'Eclipse
- Dernière Réflexion
- Il Pleut à Verse!
- Boissy d’Anglas
- Studies of an Actor
- Le Vieux Coq
- Canards Supris
- Canards Supris
- Brumes du Matin
- Brumes du Matin
- Brumes du Matin
- Labor ou Le Paysan à la Houe
- Ébats de Canards
- Jacques Bosch, Guitarist
- La Rixe (The Brawl)
- Les Graveurs du XIXe Siécle
- Le Lion Amoureux
- L'Homme Qui Court
- L'Homme Qui Court
- La Teste et la Qüeue
- Le Nouveau Né
- Entrée des Croisés
- Entrée des Croisés
- Cinq Eaux-Fortes
- Les Faisans
Jacques Bosch, Guitarist
Etching and drypoint, 1883, 453 x 325 mm., Béraldi 18 iv/iv, B. N. Inv. 397. A fine, rich impression on Van Gelder Zonen laid paper with large margins, signed in ink; the paper age toned to a golden brown in the whole area of the mat opening, creases and small losses at the sheet edges, far from the image. Jaime (Jacques) Bosch (1826-1895), a Catalan from Barcelona, was a familiar figure in Paris in the later years of the nineteenth century, where he was known as "le roy de la guitare." A classical musician and composer, he collaborated at least once with Gounod and was a friend of Manet, who did a lithographic portrait of him as a cover for one of his compositions. Bracquemond's virtuoso handling of the etched and drypointed lines makes the drawn face and boney hands of the musician emerge as if from a smoke-filled room.
![]() |
$1,500.00 | ![]() |