THE SEVENTEENTH CENTURY
A World Of Interpretations
A World Of Interpretations
- Gandini, Madonna and Child
- de Bry, Eleazar and Rebecca
- de Bry, The Venetian Ball
- Jamnitzer, Three Genii
- Saenredam, Paris and Oenone
- Muller, Johann Neyen
- Major, View of a River
- Elsheimer, Tobias
- van Sichem, The Musicians
- Cantagallina , Ship of Amerigo
- Ribera, The Poet
- Callot, Cap. Spessa Monti
- Callot, Vue du Pont Neuf
- van de Velde, Aer
- Schut, Martyrdom of St. George
- after van Dyck, Lucas van Uden
- Lorrain, Les Quatre Chèvres
- Franck, Soldiers Drinking
- Bosse, The Prodigal Son
- Mauperché, La Bergère Assise
- van Scheyndel, Peasant Woman
- Pérelle, Evening Landscape
- van den Steen, Saint Pepin
- Janssen, The Four Elements
- Matham, Phyllis
- Grimaldi, Landscape
- Grimaldi, Three Boats
- Rembrandt, Jan Cornelis Sylvius
- Rembrandt, The Flight into Egypt
- Rembrandt, Lieven van Coppenol
- Lievens, Jacques Gaultier
- Hollar, Caricature Head
- Attributed to Jan Fyt , Pigeons
- Della Bella, Le Reposoir du Saint Sacrement
- Della Bella, A Pikeman Standing
- van Ostade, Man and Woman
- van Ostade, The Singers
- Dubois, Extensive Landscape
- Carpioni, Madonna
- Chauveau, Timbalier et Trompette Turcs
- Faithorne, Thomas Mace
- Castiglione, The Nativity
- Master CpP, Apollo Flaying
- Stoop, Bridled Horse
- Berchem, The Rest
- Courtois, A Cavalry Battle
- Nanteuil, Godefroy-Maurice de la Tour d’Auvergne
- Nanteuil, Pierre Séguier
- van der Ulft, Aqueduct
- van der Ulft, Villa on a Hill
- Visscher, The Gypsy Woman
- Bega, The Family
- van Heemskerck, Peasants
- Thuenkel, Floral Ornaments
- van Somer, The Drinker Asleep
- Anonymous English, Faiths
- Meyer, Landscape with Trees
Jacques Gaultier, Lutenist
Etching, ca. 1630-33, 262 x 204 mm., Bartsch 59, Dutuit 58 iii/iv, Hollstein 23 iii/v, ex collection: unidentified brown ink signature. Gaultier (ca. 1600-1670) was court lutenist in London from about 1617 to 1647. Lievens, after his roommate, Rembrandt, left Leyden to go to Amsterdam, fell under the influence of Van Dyck, and went to London for a time where he etched this now celebrated portrait. A very fine impression, the guidelines for the text still showing, on laid paper trimmed just outside the subject and text; a tiny hole in the sky.