19th - 21st Century Prints and Drawings
Selections
Selections
- Goya, Caida de un Picador de su Caballo
- Rowlandson, Loading a Cart for Market
- Blake, Job and His Daughters
- Varley, Fisherman by a River with a Stone Bridge
- Daubigny, Le Verger
- Harpignies, Thistle Plant by a Tree Trunk
- Méryon, Saint-Etienne-du-Mont, Paris
- Rops, Jean Vandyrendonck
- Whistler, Black Lion Wharf
- Whistler, Portrait Study: Charlotte R. Williams
- Hill, 'Sunnyside,' Tarrytown, New York
- Buhot, Matinee d'Hiver
- Buhot, Une Jetee en Angleterre
- Buhot, Les Oies
- Duveneck, Venetian Bridge
- Lepère, Le Bassin des Tuileries
- Corinth, Portrait of Andreas Weissgaerber (3rd version)
- Toorop, Forest with Pond and Swans
- Hassam, Billboards, New York
- Hassam, The ''Home, Sweet Home''
- Zorn, Pilot - Lots
- Zorn, Ernest Renan
- Sérusier, L'Assomption de Hannele Mattern
- Lunois, Femme Prête à Sortir
- Belleroche, Lili et la Lampe
- Toulouse-Lautrec, Carnot Malade!
- Toulouse-Lautrec, A l’Opera: Madame Caron
- Toulouse-Lautrec, Lender Dansant le Pas de Bolero
- Toulouse-Lautrec, Entree de Brasseur
- Vallotton, Le Bain
- Bonnard, Dans la Rue
- Kurzweil, Der Polster
- Kollwitz, Bewaffnung in einem Gewölbe
- Kollwitz, Gefallen - 2nd version
- Vuillard, Une Répétition a ''L'Oeuvre''
- Orlik, The Orlik Taylor Shop in Prague (proof)
- Orlik, The Orlik Taylor Shop in Prague
- Brouet, Market
- Villon, L'Aventure
- Laboureur, La Boucherie
- Pechstein, Zwiesprache
- Lewis, Shadows on the Road
- Bellows, In an Elevator
- Schmidt-Rottluff, Christus und Judas
- Schmidt-Rottluff, Frauenkopf
- Friedlander, At a Branch Library
- Bacon, The Chosen Few
- Freese, Birds of Ohio
- Freese, Moonrise
- Freese, Jay See, (J.C.) (I.B.)
- Freese, Collecting Thoughts About Small Trees
- Freese, Mercury, Electricity and Artaud at Rodez
Dans la Rue
Lithograph in colors, ca. 1900, 267 x 139 mm., Roger Marx 46, Bouvet 71. An undescribed proof impression, with a fifth color and other differences, on wove paper with large margins; the sheet has been slit vertically in the left margin, put back together and laid down on another sheet. In addition to the extra color (black or very dark brown), there is increased use of white areas, and an overprinting of the red, varied through the brown background. The edition was of 100, which were signed and numbered. Roger Marx says it was included in the Insel Verlag Album; Bouvet says that this is an error. The title too is in error, as the image is clearly an indoor scene, the reluctant schoolgirl opening the door to go off to school while her mother watches. This is born out by a watercolor Bonnard did of the same subject.