ANONYMOUS
Prints & Drawings by Anonymous Artists
Prints & Drawings by Anonymous Artists
- Italian 15th Century, The Man of Sorrows
- Florentine ca. 1470, Music Manuscript
- Greek or Byzantine 15th-16th Century, The Risen Christ
- French ca. 1500, The Mass of St. Gregory
- Italian 16th Century, Annunciation to the Virgin
- Itallian 16th Century, Study for a Draped Female Figure
- Dutch 16th Century, Christ Feeding the Five Thousand
- German 16th Century, Ornament with an Owl
- Italian 16th Century, The Virgin at the Cradle
- Italian 16th Century, The Forefathers of Christ
- Master L, Adoration of the Magi
- Master RR, Esther Before Ahasuerus
- Monogramist HWB, Sketches of Lovers
- Italian 16th Century, Gladiators in an Arena
- School of Fontainebleau, The Birth of the Virgin
- Flemish 16th Century, Hercules Fighting the Nemean Lion
- Flemish (?) 16th-17th Century, Satyr and Nymph Embracing
- after Ludolph Büsinck, Saint Matthew
- Flemish 17th Century, Doctor, Dying Miser
- Bolognese 17th Century, Robed, Seated Male Figure
- French 17th Century, Le Palais de Neptune
- Italian 17th Century, Male Figure in the Clouds
- Italian 17th -18 th Century, Panel of Ornament with Putti
- Dutch (?) 18th Century, Landscape with a River
- British 18th Century, A Woman Seated in an Arm Chair
- Italian late 18th Century, Neptune Before Juno
- French (?) late 18th-Early 19th Century, Bathers in a Landscape
- Spanish (?) 19th Century (?), Vanitas
- British 19th Century, Extensive Landscape
- Barbizon School 19th Century, Pair of River Landscapes
- American Mid-19th Century, Maylandville Road
- Spanish 19th Century, Street Scene
- French 19th Century, En Auvergne
- French 19th Century, Cavalry Skirmish
- British 19th Century, Badshahi Qila
- French 19th Century, Design for a Ceiling
- Russian 19th Century, Fortified Military Encampment
- American late 19th Century, Sheep on a Country Road
- British 19th (?) Century, Llyn Ogwen, North Wales
- German or Austrian 19th-20th Century, Prometheus Bound
- British 20th (?) Century, The Knife Grinder
- British 20th Century, The Knife Grinder
- German 20th Century, Death Leading a Woman
- American 20th Century, Straphanger
The Mass of St. Gregory
Metal cut (?), 152 x 152 mm. Fine impression on laid paper, rubricated Latin text verso, trimmed on or outside the borderline. Apparently a close and early copy of the cut in the Verdun Missal, Paris, Jean Dupré, 1481. Hyatt-Mayor (Prints and People) mentions that the cut, famous in its time, was reprinted and copied. He also mentions that the original is known to have been cut on copper, rather than wood, and one might surmise that this copy was also done as a metal cut, as much of the detailed line work seems too fine to have been accomplished in wood. The composition is exactly the same, but details – facial expressions, ornamentation – are slightly different. The subject first appeared in art in the Middle Ages. It shows Pope Gregory I (ca. 540-604) saying mass, as a vision of Christ as the Man of Sorrows appears on the altar in response to his prayer for a sign to convince a doubter of the miracle of transubstantiation.