19th - 21st Century Prints and Drawings
Selections
Selections
- Goya, Caida de un Picador de su Caballo
- Rowlandson, Loading a Cart for Market
- Blake, Job and His Daughters
- Varley, Fisherman by a River with a Stone Bridge
- Daubigny, Le Verger
- Harpignies, Thistle Plant by a Tree Trunk
- Méryon, Saint-Etienne-du-Mont, Paris
- Rops, Jean Vandyrendonck
- Whistler, Black Lion Wharf
- Whistler, Portrait Study: Charlotte R. Williams
- Hill, 'Sunnyside,' Tarrytown, New York
- Buhot, Matinee d'Hiver
- Buhot, Une Jetee en Angleterre
- Buhot, Les Oies
- Duveneck, Venetian Bridge
- Lepère, Le Bassin des Tuileries
- Corinth, Portrait of Andreas Weissgaerber (3rd version)
- Toorop, Forest with Pond and Swans
- Hassam, Billboards, New York
- Hassam, The ''Home, Sweet Home''
- Zorn, Pilot - Lots
- Zorn, Ernest Renan
- Sérusier, L'Assomption de Hannele Mattern
- Lunois, Femme Prête à Sortir
- Belleroche, Lili et la Lampe
- Toulouse-Lautrec, Carnot Malade!
- Toulouse-Lautrec, A l’Opera: Madame Caron
- Toulouse-Lautrec, Lender Dansant le Pas de Bolero
- Toulouse-Lautrec, Entree de Brasseur
- Vallotton, Le Bain
- Bonnard, Dans la Rue
- Kurzweil, Der Polster
- Kollwitz, Bewaffnung in einem Gewölbe
- Kollwitz, Gefallen - 2nd version
- Vuillard, Une Répétition a ''L'Oeuvre''
- Orlik, The Orlik Taylor Shop in Prague (proof)
- Orlik, The Orlik Taylor Shop in Prague
- Brouet, Market
- Villon, L'Aventure
- Laboureur, La Boucherie
- Pechstein, Zwiesprache
- Lewis, Shadows on the Road
- Bellows, In an Elevator
- Schmidt-Rottluff, Christus und Judas
- Schmidt-Rottluff, Frauenkopf
- Friedlander, At a Branch Library
- Bacon, The Chosen Few
- Freese, Birds of Ohio
- Freese, Moonrise
- Freese, Jay See, (J.C.) (I.B.)
- Freese, Collecting Thoughts About Small Trees
- Freese, Mercury, Electricity and Artaud at Rodez
Frauenkopf
Lithograph, 1921, 285 x 235 mm., Schapire 96 only state from Mappe der Freien Secession, Berlin, edition 100. A fine, bright impression on laid paper with full margins, signed in pencil and numbered from the edition of 100 published in 1921. Drawn with great freedom and assurance, the work clearly shows the strong influence of African art.