Sixteenth Century Northern Engraving & Etching
- Master MZ: Aristotle and Phyllis
- Dürer: Virgin & Child
- Dürer: Virgin & Child Crowned
- Dürer: Frederick the Wise
- Dürer: Saint Philip
- van Leyden: Triumph of David
- Zundt: Arrest of Baumgartner
- Hopfer: Charles V
- Beham: The Expulsion
- Beham: Mask Held by 2 Genii
- Beham: Mask Held by 2 Genii
- Brosamer: The Lute Player
- Pencz: Artemisia Preparing to Drink
- Pencz: Johann Friedrich
- Monogrammist CP : Dido
- Aldegrever: Dagger Sheath Design
- Aldegrever: Ornament with a Bat
- Hirschvogel: David's Triumph
- Hirschvogel: The Defeat and Death
- Claesz: Allegory with a Woman
- Massys: Two Crippled Musicians
- Cock: Colossaei
- Cock: Landscape with a Castle
- Ladenspelder: The Four Evangelists
- Brun: Two Turkish Men
- Suavius: Saint Paul Seated
- Delaune: Combat of the Centaurs
- Davent: Alexander Mastering Bucephalus
- Davent: Un Marais
- Thibaud: Hagar Gives Ishmael a Jug
- Woeiriot: Battaile de Constantin
- Galle: Solomon Building
- Sadeler: St. Paul at Corinth
- Wierex: Henry III
- Goltzius: Arnoud van Beresteyn
- Goltzius: Mercury and Argus
- Goltzius: A Young Man
- Collaert : January
- Collaert : Musical Celebration
- Collaert: David Playing the Harp
- van de Passe: Christian IV
- Muller: Belshazzar's Feast
Saint Philip
Engraving, 1526, 121 x 75 mm., Bartsch 46, Meder 48 a-b (of d).
Fine, sharp impression on laid paper without visible watermark, with a thread margin and inky plate edge at the bottom and part of the left, elsewhere trimmed along the platemark, the image complete; a few tiny surface abrasions at the lower right corner. Dürer’s late Apostle engravings share both a monumental austerity of composition and a sophisticated interest in exploring engraving’s potential for myriad tones of grey and subtle variations of light rather than the sharp contrasts of black and white. There is a classicism in both of these qualities that expresses the supreme mastery of history’s greatest engraver at the peak of his powers.