Masterworks of Printmaking and Drawing
- Dürer, Saint Christopher
- Claesz, Vignette with a Sphinx
- Tempesta, Turkish Soldiers
- Goltzius, Apollo
- Ribera, The Poet
- Callot, Les Danseurs
- Rembrandt, Nude Man Seated
- Ostade, The Hunchbacked Fiddler
- Everdingen, The Dilapidated Cottage
- Piranesi, The Well
- Goya, Esto Si Que Es Leer
- Descourtis, L'Amant Surpris
- Daumier, Aspect de le la Salle
- Meryon, Le Petit Pont
- Lessore, Barge Builders
- Lalanne, Rade de Bordeaux
- Andrieux, Don Quixote Telling
- Whistler, Wheelwright
- Buhot, Dèbarquement en Angleterre
- Toulouse-Lautrec, Repetition Generale
- Cross, Champs-Elyseè
- Zorn, The New Maid
- Munch, Alte Männer und Knaben
- Delâtre, Standing Peasant
- Vallotton, La Nuit
- Kollwitz, Tod Hält Mädchen
- Matisse, La Persane
- Sloan, Romany Marye's
- Villon, La Petite Mulatresse
- Walkowitz, Two Figures Seated
- Campigli, Woman with a Veil
- Eby, The Storm
7. Rembrandt Harmensz. van Rijn (1606-1669) Nude Man Seated on the Ground, Leg Extended |
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Nude Man Seated on the Ground, Leg Extended
Etching, 1646, 97 x 163 mm., B.R.S. 196 ii/ii; Hind 221 ii/ii; Bjorklund & Barnard 46c ii/ii; Nowell-Usticke 196 ii/iv; ex collection: Dr. Christian David Ginsburg (Lugt 1145); Alexander J. Godby (L1119b).Very fine, lifetime impression with plate tone, on laid paper without visible watermark, with narrow margins on three sides, trimmed ca. 4 mm inside the platemark at the left, removing only blank paper, and with a faintly drawn line to simulate a platemark; small old repairs in the right corners. The overall appearance is fine and rich, quite unlike the flat, grey impressions commonly seen.