(American, British and Continental, 19th-20th Century)

  1. Hervier, Une Femme
  2. Lalauze, La Compagnie Félicite
  3. Raffet, A Group of Men
  4. Steinlen, Head of a Man
  5. Ribot, Studies of a Left Hand
  6. Bèjot, Sur la Marne
  7. Carrière, Two Figures
  8. de Beaumont, “Je te reconnaitras bien…’’
  9. Bone, Winter near Aylmerton
  10. Bone, A Back Street
  11. Blampied, Deux Précieux
  12. Haden, English Landscape
  13. Haden, Sketches for “Greenwich”
  14. Howarth, A Street in Montreuil
  15. Auerbach-Levy , Caricature Portrait of Eugene O’Neill
  16. Kinney, Female Nude
  17. Singer, Shipping in the River
  18. de Martelly, Scene in an Inn
  19. Higgins, Peering Cat
  20. Hopkins, Pattern Designs
  21. Church,The Old Log Tavern
  22. Nisbet, Farm Buildings
  23. Thorne, Running Horse
  24. Capraro ,The Massacre of the Innocents
  25. Vierge, "Pablo de Segovia"
  26. Müller, Pianist
  27. Gaillard, Empress Catherine
  28. Lepic, La Cigogne
  29. van ‘s Gravesande, Katwyk
  30. Besnard, Eve
  31. Webster, Voiliers à Venise
  32. Webster, Farm House
  33. Prouvé, Design for a Leather Book Binding
  34. Buhot, Idée de Premier Frontispice pour "L’Ensorcelée"
  35. Buhot, Peasant Women
  36. Bléry, Osmonde et Taminier
  37. Lançon, An Arrest
  38. Pascin, Female Nude Study
  39. Trimolet, December
  40. Appian, Traveler in a Forest
  41. Calvert, Woodland Stream
  42. Calvert, Draped Female
  43. Giddens, Gerona, Spain
  44. McBey, Santa Cruz, California
  45. Dehn, Central Park, NYC
  46. Brockhurst, Anthea
  47. Petitjean, Portrait
  48. Cameron, Chinon
  49. MacLaughlan, Argentière
  50. Covarrubias, Billy Rose
  51. Forain, La Pluie d’Or
  52. Citon, Head of a Woman
  53. Kelsey, Village Street, Mexico
  54. Hart, Speaker and Listener
  55. Kupka, Robed Monk
  56. Chauvel, Pont de Sichol, Thiers
  57. Roussel, Ornament Study
  58. Raffaëlli, La Bièvre
  59. Lepere, Flooded Countryside
  60. Lalanne, Vast Pasture

46. Gerald Leslie Brockhurst


(click on image to print)
Brockhurst, Anthea


Pencil on wove paper, 1969, 440 x 370 mm. As etcher, painter and draughtsman, Brockhurst was, and still is, famous for portraits (many of them of his young wife) of attractive women, to all of which he gave vaguely-Classical names to substitute for the real names of their subjects: Noemie, Phemie, Clytie, Xenia, Anais, etc. This little conceit worked well for him, essentially removing his depictions from the category of specific portraiture into the realm of iconic images. Anthea (we will probably never know her real name) is a late work, done well after his settling in the United States. But it has the same characteristics as his earlier, more famous images: simple but meticulous line work, a kind of delicate sfumato to render facial structure, all drawn from his early and intense study of Renaissance portraiture, particularly that of Leonardo da Vinci. The drawing is signed and dated; the title is inscribed in pencil, perhaps by another hand