Affordable Drawings
from the 16th through the 20th century
from the 16th through the 20th century
- Vasari, Seven Bishop Saints
- Passarotti, Male Nude Study
- Castello, A Decapitation
- Wildens, A Hilly Path
- Florentine School , Floral Ornament
- Procaccini, Head of a Soldier
- French School, Head of Hercules
- Vlieger , Fishermen
- Gargiulo , Elevation of Saints
- Roos, Cattle and Sheep
- Cabel, River Landscape
- d'Onofri , Trees in a Landscape
- German School, The Coronation of the Virgin
- Heemskerck, Peasants Drinking
- Piola, St. Raymond
- Moucheron , Classical Figures in a Grove of Trees
- Chaufourrier, Solfatara
- Lantara , Storm over a Village
- Volaire , Neapolitan Boatman
- Monogramist Vh , Woodland Grove
- Bolognese School, Seated Warrior
- Galliari , Stage Set: Courtyard of a Farm
- Duclaux , Plants Growing in a Field
- Cruikshank , Standing Male
- Altmann , Wine Taster
- Decamps, Trees at the Villa
- Nanteuil , Two Figures
- Bodmer, Partridges
- Harpignies , Trees
- Marsaud, Harlequin
- Dehodencq, Three Sketches
- Delauney, Fruit Tree with Birds
- Dansaert , Brawl in a Tavern
- Chapu, Studies for ’’Une Source’’
- Vannutelli, Two Women Seated in a Church
- Lepère, Studies of Ladies Shopping
- Béjot, Pont de l'Alma
- Henricus, Japonisme
- Vuillard, Mme. Vuillard, Sewing at Her Window
- Couturier, Carnival Scene at Night
- Brockhurst, Chinese Group
- Stankavich, On the Frontier
St. Raymond of Peñafort at Sea
Pen, brown ink and wash over black chalk, 138 x 210 mm., provenance: Janos Scholz.(Lugt 2933b).
The documented life of St. Raymond (ca. 1175-1275) has nothing whatever to do with this image, excepting only the Dominican habit. The legend of St. Raymond, though, tells us that he was a favorite of, and frequently accompanied, the King of Aragon. On one trip to Mallorca, Raymond ordered the King to divest himself of sin (a woman with whom the King was temporarily living) or he would leave him. The King, angry, ordered on pain of death that no boat should carry the Dominican from Mallorca. Raymond, then, spread his cloak on the water, tied one end to his staff to make a sail, stepped on it and in six hours went ashore at Barcelona, his feet (and the cloak) not even damp. Such is the scene portrayed here, although we do not know the identity of Raymond’s companion. The drawing, previously attributed to Paolo’s father, Domenico Piola, may be compared stylistically with several in the Metropolitan Museum of Art.
$4,200.00 |